NaNoWriMo Tip #11: What To Put On Plot Cards
Kimberly's Wanderings has a great post on plot cards, with many helpful photos. |
These are my personal tips for NaNoWriMo. You know the drill. Take only what works.
You may notice that
other writers are pressing ahead with their manuscripts, whereas I’m still
diddling around with my outline. There’s method to my madness, though, so I’ll
continue to spend this week refining my outline. I’ll burn through several
different kinds of outline before I’m done. Any one of these methods might alone
suffice for you, but I use all of them. Every time. Seriously. It helps me
figure out my plot inside and out, and each kind of outline helps me with a
different stage of deepening the story.
For the purpose of
these tips, I’ll present the kinds of outlines one per day, but in practice, I
often work with two or three at the same time. It’s faster and I attack the
story on multiple fronts.
I start with tried
and true method of outlining, playing with plot cards. You take a nice deck of
line or blank 3x5 index cards (or 5x7 if you prefer) and write down your plot
points on them. Start with the scenes from your beat sheet, if you have nothing
else, and then start filling in other cards with everything else you think
you’ll need to include.
Then comes the fun
part. Clear a table (in my house, this is an Issue) and spread your cards out
in order. Shuffle them around. Combine them. Write new ones. Play with your
plot. It’s all pretty fluid at this point. The plot cards allow you to honor
that and experiment with shifting your scenes around into different orders.
If you have this
idea that outlining is bad because it squashes your creativity, you’re not
doing it right. There are lots of places for you to gush creativity all over
the place. The brainstorming stage is a bonanza of creativity. In fact, if you
just start writing whatever pops into your head without brainstorming first,
you might end up writing a lot clichés. Clichés are like mosquitoes, ready to
swarm you and bite. Good ideas are like nearly extinct reclusive Amazon
jewel-skinned frogs that must be hunted down with great peril and sweat.
Brainstorming allows you to push past the cloud of jungle mosquitoes until you
reach the frogs.
Keep in mind that
you’re still in the brainstorming phase all through the outlining phase.
Playing with the plot cards also involves brainstorming and it definitely also
involves juicing your imagination.
Some things that
you should put on plot cards, the better to place perfectly in your story
include:
- Introducing major characters (introduce each one in a separate scene, if possible)
- The Inciting Incident
- Monster Attacks (or Various Bad Stuff That Happens, as suits your genre)
- Cliffhangers for each act
- Actions That Forward The Main Plot
- Actions That Forward The Subplot(s)
- Clues To The Mystery (including Red Herrings)
- Necessary Infodumps & Foreshadowing
- Juicy Scenes You Can’t Wait To Write (even if you haven’t figured out how to get there yet)
- Introducing major characters (introduce each one in a separate scene, if possible)
- The Inciting Incident
- Monster Attacks (or Various Bad Stuff That Happens, as suits your genre)
- Cliffhangers for each act
- Actions That Forward The Main Plot
- Actions That Forward The Subplot(s)
- Clues To The Mystery (including Red Herrings)
- Necessary Infodumps & Foreshadowing
- Juicy Scenes You Can’t Wait To Write (even if you haven’t figured out how to get there yet)
List these things
on separate cards at first. As you move the cards around, look for
opportunities to combine them. You especially will want to place potentially
boring things, like Infodumps and Introducing New Characters, into exciting
scenes that involve Monster Attacks.
Careful, though! Some
things are better kept separate, for
instance, introducing major characters and introducing subplots. That’s because
it can get confusing if you try to wave too many flags in front of the reader
at once. Once these are introduced, it’s easier to have more people on stage at
the same time or to host events that further both the main plot (say, the
mystery) and the subplot (say, the romance).
Comments
This is so true. I was telling someone on Friday that I'm writing my current novel with no outline, but I realize that means no written outline. I'm always thinking about the story, though, and always making notes (mostly the scenes I want to write though I've no idea how to get there yet).
Anyway, having all the "Aha!" plot moments at the start of the process lets me concentrate on the details of the story/narrative while I'm actually writing the scenes. And getting into the habit of thinking structurally about the story, and keeping that habit while you go on to write the prose, is a good thing that will help you spot problems once you get into the writing. And, of course, seeing the entire process as one of continuous brainstorming leads to better ideas as you go along, often enough.
Another thing I tend to do is to brainstorm with others present. My best friend will often hear me out, point out cliches, mention points of stupidity (like a character acting unrealistically oblivious to things, etc), and even add in their thoughts on what might be a good twist every now and then. At a cafe in San Francisco I even got a barrista into the thrall of this and together we came up with the whole idea for the next book in my trilogy with more intricate details than I had planned on making until book 1 was done!