NaNoWriMo Tip #9: The Rule of Three
These are my personal tips for
NaNoWriMo. You know the drill. Take only what works.
If you looked at
your short story/synopsis or beat sheet and realized that it was too thin, that
there wasn’t enough action to connect the beginning to the end, you might need
more plot. There are several ways to thicken plot. I’ll discuss a couple different
methods.
This is a quick and
dirty method that relies on the oldest storytelling trick in the book: the Rule
of Three. You can’t go wrong with this technique. It’s amazing how well this
works, despite being so obvious. It must click with something deep in the human
psyche. Jokes and fairytales and three-act plays all tap into the Rule of
Three. The Rule of Three is, literally, storytelling magic.
You’ll notice that
the Rule of Three is already embedded in my suggested short story/synopsis
prompt. But if your plot is still thin, it’s worth giving deeper thought. Is
the Rule of Three just another name for the Three Act structure? Yes and no.
Yes, it melds well into a three act structure, but it’s a bit more specific way
of thinking about your plot. You could have three acts of sitting around doing
nothing. That’s not the Rule of Three.
There are three
ways of employing the Rule of Three.
1.
Three Increasingly
Worse Problems
First
the hero confronts a henchman. Maybe he defeats that guy, but now he’s pissed
off the Big Bad, so he sends his right-hand man after the hero. The hero
defeats that guy too, and now the hero’s pissed, so he goes after the Big Bad
and there’s a final confrontation.
2.
Three Increasingly
Powerful (or Desperate) Attempts to Solve the Problem.
Think
of the Billy Goats Gruff. There’s three goats, from tiniest to biggest. The
first two barely escape the troll until finally the third goat is big enough to
do the trick.
3.
Three
Kinds of Problems
Another
way to use the rule of three is to present the protagonist with three different
kinds of problem. In Daughter ofRegals by Stephen R. Donaldson, the heroine confronts an attempted rape, an attempted seduction and another
type of attack from three different rivals to her throne. It’s a perfect use of
the Rule of Three.
You can combine all
three kinds of Three, as you show how both the antagonist and protagonist are
increasingly committed to winning.
I admit, I fell
back on the good ‘ole Rule of Three while I was writing Wing. The main focus of
the book was on the changing relationship between Dindi and Umbral, but I
needed something for them to do while their relationship developed. Since I
wanted the fae to also be featured strongly in the book, I thought, why not
have them face problems involving the lower fae, the High Fae and the Aelfae?
That’s where I started. As the novel outline evolved, that changed to meet the
story’s other needs, but at least I had something to start with so I wasn’t
staring at a black screen.
Comments
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*dances in glee*
So the first traveling salesman sneaks down the hall to the farmer's daughter and after he's had his fun, sneaking back, he hears the old farmer cocking the shotgun, and goes, "Meow."
"Oh,it's just you, kitty."
So the second etc. sneaks down the etc., etc.'s the farmer's etc., hears the old farmer cocking the shotgun, and goes, "Meow."
"Oh,it's just you, kitty."
So the 3rd (fill in blanks) hears the old farmer cocking the shotgun, and goes, "Don't shoot, it's the cat!"
The first thing the witches told MacBeth was something everyone already knew.
The second was something that everyone but him knew -- he was about to find out.
So the theme=things you don't have to be a witch to know, that are just automatically true anyway.
The third, though, was something that could only become true through his own efforts.
Variation: You still don't need to be a witch to know it; you only need to be a traitor to make it happen.
So yeah, Rule of Three is a good rule. But Theme and Variation is better because you can do more variations (Lord Jim first doesn't get into a boat when he should, then does when he shouldn't, then finally does when he should -- which makes his not getting into a boat when he shouldn't the powerful climax. One theme, two variations.)