NaNoWriMo Tip #7: Three Things You Need To Know About Your Characters
You don't need to tell us he has eyes; if he has no eyes, tell us. |
These are my personal tips for
NaNoWriMo. You know the drill. Take only what works.
When you think
about characters, you’ll want to juggle a couple purposes for them. First, characters
should be interesting people we can relate to on some level. They will need
biographies. Second, the characters need to compliment each other, behave like
individuals, with independent motives, so they will need to have different
personalities from each other. Third, the characters must conflict with each
other to drive the plot, so they need different roles in the story.
Biography
A lot of character
prompt sheets have millions of things do decide about your character. What was
his elementary school? What’s his favorite ice cream? These questions might be totally relevant to
you. Or not.
When I’m working on
characters for my Unfinished Song series, which is a second world epic fantasy
with Neolithic-era tech (bows and arrows, spears, clay bowls), knowing my
character’s elementary school or taste in ice cream is wildly irrelevant. What
I do need to know is the character’s clan (extended family), tribe, whether
s/he has magic or not, and if so whether it’s Imorvae or Morvae.
In other words, figure
out what categories are relevant for your book, and answer those questions
about your characters. However, if you need some nudging, these things are
relevant in most stories, once you adjust it to suit your context:
Body
Type/Appearance
Family
Status
Education
Power / Political
Affiliation
Personality
If you aren’t
careful, all your characters will have the same personality, quirks and voice:
yours. As a reminder to myself to make my characters different (from each other
and from me), I like to cheat by consulting those Personality Assessment Tests,
and casting my characters as different types.
Questions to
consider are: Extrovert or Introvert? Thrill-seeking or safety-seeking? Lusty
or shy? Charming or dorky? Brilliant or bumbling? Optimistic or pessimistic?
Suspicious or trusting? Grumpy or playful? Busy or bored? Jaded or naïve?
Thoughtful or careless?
Most characters
will be a mix, but be careful not to make them all the same mix. The more
realistic and character-based your novel, the more nuanced they will be. The
more action driven or comedic your novel, the more you can make your characters
extreme types to incite drama or provoke laughter.
Sometimes you’ll
also find articles like this which can inspire you.
Role
The role the
character plays in your story is critical. The roles your story needs may be where you start creating
your characters, or you may have some characters in mind and then need to
figure out how many story roles they can play.
Here are some
potential roles:
Hero (Protagonist)
Amazingly, some writers forget to decide who the hero of their story is. Who’s
story is it really? Who grows and changes? Who drives the action? If you have a
truly ensemble piece, it’s going to be tricky.
Villain (Antagonist)
It’s really, really hard to write a compelling story without
someone in this role. I’ve tried repeatedly. If the antagonist is not a person
it has to be a force with almost personlike intentionality, like the white
whale in Moby Dick.
Narrator
The hero
is usually the main PoV or narrator (in either third or first person), but not
always. The first time I ever encountered this was in The Illyrian Adventure by
Lloyd Alexander, which is an excellent example of the technique
The other classic
example is Sherlock Holmes, narrated by Watson. (The new BBC series makes
Watson a true mirror hero, which I love.)
Mirror Hero
Sometimes there is another character who is like a strange mirror of the main
hero. For instance, if the hero is a young boy coming-of-age, the mirror hero
may be an older man facing his last big struggle, his coming-of-middle-age.
Romance
The love
interest might be a minor character or a mirror hero in his or her own right.
My Unfinished Song series has the main hero (Dindi) and the mirror hero
(Kavio), the romance.
Mentor
Obi Wan,
Yoda, Mr. Miyagi, Dumbledore. Sometimes the mentor is a full teacher, sometimes
only a gatekeeper, or the one who issues the call to adventure. For instance,
Cinderalla’s fairygodmother doesn’t teach her martial arts (too bad), or even
magic (who not?), yet she obviously plays a critical role in the story.
Comments
Thanks:)