Tara Maya's Tales

Rayne Hall   has published more than forty books under different pen names with different publishers in different genres, mostly fantasy, horror and non-fiction. Recent books include   Storm Dancer  (dark epic fantasy novel),  Six Historical Tales Vol 1, Six Scary Tales Vol 1, 2 and 3   (mild horror stories),   Six Historical Tales   (short stories),   Six Quirky Tales   (humorous fantasy stories),   Writing Fight Scenes   and   Writing Scary Scenes   (instructions for authors). She holds a college degree in publishing management and a masters degree in creative writing. Currently, she edits the  Ten Tales  series of multi-author short story anthologies:  Bites: Ten Tales of Vampires, Haunted: Ten Tales of Ghosts, Scared: Ten Tales of Horror, Cutlass: Ten Tales of Pirates, Beltane: Ten Tales of Witchcraft, Spells: Ten Tales of Magic  and more.   Her short  online classes for writers ...

Rayne Hall   has published more than forty books under different pen names with different publishers in different genres, mostly fantasy, horror and non-fiction. Recent books include   Storm Dancer  (dark epic fantasy novel),  Six Historical Tales Vol 1, Six Scary Tales Vol 1, 2 and 3   (mild horror stories),   Six Historical Tales   (short stories),   Six Quirky Tales   (humorous fantasy stories),   Writing Fight Scenes   and   Writing Scary Scenes   (instructions for authors). She holds a college degree in publishing management and a masters degree in creative writing. Currently, she edits the  Ten Tales  series of multi-author short story anthologies:  Bites: Ten Tales of Vampires, Haunted: Ten Tales of Ghosts, Scared: Ten Tales of Horror, Cutlass: Ten Tales of Pirates, Beltane: Ten Tales of Witchcraft, Spells: Ten Tales of Magic  and more.   Her short  online classes for writer...

Rayne Hall  has published more than forty books under different pen names with different publishers in different genres, mostly fantasy, horror and non-fiction. Recent books include  Storm Dancer  (dark epic fantasy novel),  Six Historical Tales Vol 1, Six Scary Tales Vol 1, 2 and 3  (mild horror stories),  Six Historical Tales  (short stories),  Six Quirky Tales  (humorous fantasy stories),  Writing Fight Scenes  and  Writing Scary Scenes  (instructions for authors). She holds a college degree in publishing management and a masters degree in creative writing. Currently, she edits the  Ten Tales  series of multi-author short story anthologies:  Bites: Ten Tales of Vampires, Haunted: Ten Tales of Ghosts, Scared: Ten Tales of Horror, Cutlass: Ten Tales of Pirates, Beltane: Ten Tales of Witchcraft, Spells: Ten Tales of Magic  and more.   Her short  online classes for writers  ...

I think we'll be seeing a lot more of this : Harper Voyager has launched an international talent search, with aspiring writers invited to submit their un-agented manuscripts directly to the publisher. The HarperCollins sci-fi and fantasy imprint will be opening a two week window in October where writers can submit their novels, with plans to publish selected titles digitally. Writers are wondering if this is a good deal . Obviously before the digital revolution and the possibility of cutting out an extra layer of middlemen, this would have been a great opportunity. But is it now? I have a couple of thoughts: 1. The only possible reason to go with a traditional publisher at this point would be to get your books into a bookstore, hopefully in hardcover. So why on earth would you sell ebook rights only? 2. There's no such thing as "free" editing, cover, proofreading and promotion. You are paying for these services by forking over a huge percentage of your roy...

An interesting confrontation between the RWA and the world of epublishing, defended here by agent and author Deidre Knight. RWA’s current stance on e-books is that a publisher must offer at least a $1,000 advance in order to qualify for legitimacy. Never mind that many digital authors far exceed that amount in royalties, or sell more than 5,000 copies of print editions of their e-published titles. The problem with RWA’s simplistic criteria is that it ignores one crucial fact. Our industry is changing radically, with traditional publishers seeking innovative models for overhauling their distribution and content. ... Meanwhile, let’s talk about RWA’s position that e-published authors who make more than $1,000 in royalties are a rare exception. As an agent, I have seen a fair number of statements for clients writing for Ellora’s Cave and Samhain. The majority of these writers have passed that $1,000 benchmark within the first few months. I’m sure some of the smaller e-publishers sell...